From there Strutter performances were not limited to halftime of Texas State football games. Tidwell had bigger plans. She used her connections and personal network to get the Strutters at Houston Oilers games and the Sugar Bowl.
“She had big ideas, and she wanted to take those ideas around the world,” said Susan Angell-Gonzalez, also a former Strutter and Strutters Director from 1997 to 2013. “She had the ability and talent and the know-how to get them away from San Marcos to bigger and better things. She knew the people to contact, especially in the NFL … that got the Strutters on the map.”
Angell-Gonzalez was one of the Strutters who had the opportunity to perform at Oilers games. So was Fife. And they both saw while there was uncertainty in how big the Strutters could be, there was certainly a “determination over doubt” in Tidwell.
“She was determined,” said Fife. “It was determination and she did everything with class. She wanted Strutters to be recognized all over the world. In the beginning, she didn’t think that was a possibility but she definitely wanted to do the very best job that she could.”
In 37 years as the founding director of the Strutters, from 1960 to 1997, Tidwell helped make the Strutters known by:
- First precision dance team formed at a four-year university
- Largest precision dance team in the nation
- Performed in 26 countries spanning four continents
- First U.S. dance team to perform in the People’s Republic of China
- Two Presidential Inaugural Parades (John F. Kennedy and Lyndon B. Johnson)
- Thanksgiving Day Parades
- Appeared in 4 movies
- 23 halftime shows at Houston Oilers games
- Several halftime shows for the Dallas Cowboys
- Performed annually at San Antonio Spurs games
This level of reach was no accident. While Tidwell was a visionary, she was also a legend in drill team history. Her technical skills defined the extravagance of more than 3,000 Strutters alumnae.
“She was really good at formations and using the entire field,” said Fife. “That was really important to her. I learned that from her to have formations that covered the field and made interesting patterns. She loved patterns and always called it that.”
In addition to “patterns,” the Strutters shows are filled with other features to level up the experience of the audience.
“One thing I learned from her was she loved big props, huge props,” said Angell-Gonzalez. “We always performed on big props. I performed on a jungle gym. She bought several of these things that kids would climb on, and she had the managers put them together and they were metal and would fall apart. So, when I became the director, I started having these huge props. But I perfected them by putting wheels on them so we can roll them out so that when we had to put them out there, we didn’t have to carry them.”
But even with all the world-renowned achievements and performances, plus the tools used along the way, Tidwell’s goal with the Strutters was to help young women develop confidence, communication, ethics, character and dedication to excellence.
“She was always in a unique situation to help her students and guide us through challenges in our lives, so she wasn’t only a director and choreographer,” said Angell-Gonzalez. “She was a leader and inspiration to everyone. She was somebody we had to go to. She was a coach – she wouldn’t call herself a coach but she was – that we could reach out to as well as a teachable person.”
The impact of the Strutters through Tidwell’s vision has also impacted the overall athletics and university experience at Texas State.
“Besides starting the largest and most entertaining dance team in the country, in my opinion, Barbara’s legacy is decades of Strutters who have represented this University at the highest level, both during their time at Texas State and now as alumni,” said Texas State Director of Athletics Don Coryell. “This is an expectation of Strutters and the foundation established by Barbara that continues to drive the organization values and goals. She established a group dedicated to the positive personal development of young dancers and a tradition that has continued on through other directors, Susan Angell-Gonzalez and Tammy Fife, and will continue with Selina Flores.”